Gin and Jazz Manyano | Arts



Gin Africa Co is delighted to bring you the Gin & Jazz Manyano experience. An intimate two-day community gathering over Easter weekend (April 2-3) where we’ll bring together the best of live music, people and food. Headlining this debut album are Bluenote Records artist Nduduzo Makhathini and Sisonke Xonti, winner of the Standard Bank Young Artist Award. We are also proud to introduce Cape Town-based drummer Tefo Mahola and rising star singer and guitarist Muneyi in this exciting lineup of outstanding musicians and selectors. Manyano, (a term popularized by African church social activism) which translates to “Coming Together” aims to bring South African jazz artists closer to the public in intimate settings, while also promoting the central city ​​of Johannesburg. At the heart of Gin & Jazz Manyano is community, connectivity and collective joy. What our jazz musicians across the country continue to mold so well for all of us.

Jazz Festival in the New Normal: Why Gin & Jazz Manyano? The struggles of South African artists in the cultural industry have been left exposed and their vulnerability illuminated by the effects of the global pandemic managed in the country. It is still the arts that have enabled many of our communities around the world to understand and go through impossible times; offering in many ways a language of hope and possibility. This incredibly long, difficult and isolated year, no different. As cultural workers, activists and creators, we are aware of this reality and have issued the invitation over the past two weeks to reflect together and collaborate around the present-future of artistic production (and consumption) and cultural in our context.

The event aims to revive the inner city experiences that have been at the forefront of arts, culture and music in South Africa, while highlighting, valuing the invaluable and exceptional contribution of musicians from local jazz to the sector and industry in general. Our goals are to (1) collaborate with organizations and institutions that have a mutual interest in helping revive a sector hard hit by COVID-19; (2) develop creative and innovative models for live music and entertainment in the context of a new normal; and (3) supporting the growth of the creative economy of artists.

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