Uk – Iridium Jazz http://iridiumjazz.com/ Fri, 24 Sep 2021 22:18:26 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://iridiumjazz.com/wp-content/uploads/2021/07/default1-1.png Uk – Iridium Jazz http://iridiumjazz.com/ 32 32 Svetlana and New York Collective Continue Fall South Tour with Jazz Road Tour Grant https://iridiumjazz.com/svetlana-and-new-york-collective-continue-fall-south-tour-with-jazz-road-tour-grant/ https://iridiumjazz.com/svetlana-and-new-york-collective-continue-fall-south-tour-with-jazz-road-tour-grant/#respond Fri, 24 Sep 2021 16:41:59 +0000 https://iridiumjazz.com/svetlana-and-new-york-collective-continue-fall-south-tour-with-jazz-road-tour-grant/ Last February, Svetlana and her award-winning band The New York Collective used their Jazz Route tour grant to undertake a two-part tour. After a successful first stage, Svetlana and the New York collective will start touring again this month with their Fall Southern Tour. During this tour Svetlana will present her critically acclaimed album Night […]]]>

Last February, Svetlana and her award-winning band The New York Collective used their Jazz Route tour grant to undertake a two-part tour. After a successful first stage, Svetlana and the New York collective will start touring again this month with their Fall Southern Tour. During this tour Svetlana will present her critically acclaimed album Night at the cinema, which ranked No. 1 on Billboard’s Traditional Jazz Albums chart. She will also present her award-winning jazz awareness program for children “Swing Makes You Sing”, which was recently awarded a Chamber Music America. Digital residency grant as well as a residence with Midori and her friends celebrate the music.

Svetlana is also thrilled with the post-pandemic revival of her nine-year residence at the Back Room, a Prohibition-era underground bar on the Lower East Side of Manhattan, where she will perform every Monday night.

Jazz Road is a national South Arts initiative, which is funded by the Doris Duke Charitable Foundation with additional support from the Andrew W. Mellon Foundation. An artist-centric touring program that supports small tours for emerging and mid-career artists, Jazz Road Grants foster deeper engagement between jazz musicians, presenters, and communities, often those located in areas traditionally underserved by gender.

All performances will follow security protocols and will be socially distanced. Concert hall-specific COVID guidelines can be found along with ticket information in the calendar below.

Singer, arranger and conductor Svetlana will hit the road alongside pianist and composer Willerm Delisort, drummer Henry Conerway III and bassist Adi Meyerson. During this tour, Svetlana is also excited to present Night At The Movies on Vinyl – Svetlana’s new LP based on her chart-topping record, available exclusively through her. website and his live performances.

After completing the first leg of their tour in February 2021, the band are excited to hit the road again at the end of this month, starting with a performance at Forte Jazz Lounge in Charleston, South Carolina on Thursday, September 23. The next two days, September 24 and 25, the band will perform in Hilton Head, SC in The jazz corner. On Wednesday, September 29, Svetlana will perform as a special guest at an outdoor concert with the New London Big Band at The social bar and the kitchen in New London, Connecticut. The group will travel to Westampton, New Jersey for a performance on October 2 at Burlington County Library Centennial Celebration. On October 3, they will travel to Atlanta, Georgia for a performance at The velvet note, then direction New Orleans, Louisiana for two days (October 5 and 6) at New Orleans Jazz Museum. Next, the group will hit Tennessee, first in Selmer on Oct. 7 in Arts in McNairy / Latta Theater and the next day (October 8) at The Barking Legs Theater in Chattanooga. For more information, follow the updates on www.svetlanajazz.com.

On the road, Svetlana will present the music of Night at the cinema his recent chart-topping album which debuted at # 1 on the US Billboard’s Traditional Jazz Albums chart, “completely re-imagining the material” (SyncopatedTimes). Recently named one of the “Best of 2020” by All About Jazz.com, Night At The Movies is a deeply personal project inspired by the singer’s experience who grew up in Soviet Russia, where American films offered an exhilarating escape. This film music collection spans a century of cinema and includes interpretations of songs featured in films such as Top Hat (1934), Pinocchio (1940), Umbrellas of Cherbourg (1964), Willie Wonka and his Chocolate Factory (1971) , Tootsie (1982), Sabrina (1995), Princess & The Frog (2009) and Coco (2018), among others – each song encompassing themes to escape unwanted circumstances through imagination and optimism, uplifting listeners through hardship. The concert will also include Russian repertoire (“My favorite on the album”, W. Friedwald) and Svetlana’s originals conveying a similar hope (“the best of the night … bittersweet, cautiously optimistic ballad allowing for a glimmer hope in the face of pervasive bad news (NYMusicDaily).

The program celebrates both the tradition of jazz and advances the art form, creating an exciting experience for audiences. The press praised Svetlana’s vision for jazz and film music: “A great Janus, looking forward and backward” (AllAboutJazz) “a spectacle to lose yourself in” (LucidCulture). The theme of Night at the Movies and the current difficulties invoked by the pandemic did not escape listeners. “Svetlana beautifully approaches hope in uncertainty and love in the face of deprivation” (AllAboutJazz) – making the music particularly appropriate and healing during this tour through the pandemic-stricken country.

Svetlana reflects, “The pandemic has renewed our energy around music and uplifting others through art: the opportunity to make music is so rare and the joy is so vivid, we think we don’t. will never take connection with others through music and art for granted. . “

DETAILS:

Thursday September 23 -Forte Jazz Lounge, Charleston, SC – TICKETS / INFO

Friday-Saturday September 24-25 – The Jazz Corner, Hilton Head, SC – TICKETS / INFO

Wednesday September 29 -Social Bar (with New London Big Band), New London, CT – TICKETS / INFO

Saturday October 2 -Burlington County Library, Westampton, NJ – TICKETS / INFO

Sunday October 3 -The Velvet Note, Atlanta, GA – TICKETS / INFO

Tuesday to Wednesday, October 5 and 6 -New Orleans Jazz Museum, New Orleans, LA – TICKETS / INFO

Thursday October 7 -Arts at McNairy, Selmer, TN – TICKETS / INFO

Friday October 8 – Barking Legs Theater, Chattanooga, TN – TICKETS / INFO


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Shows On Sale And Just Announced At Jazz Cafe – News, Reviews, Articles & Commentary From The London Jazz Scene And Beyond https://iridiumjazz.com/shows-on-sale-and-just-announced-at-jazz-cafe-news-reviews-articles-commentary-from-the-london-jazz-scene-and-beyond/ https://iridiumjazz.com/shows-on-sale-and-just-announced-at-jazz-cafe-news-reviews-articles-commentary-from-the-london-jazz-scene-and-beyond/#respond Fri, 24 Sep 2021 08:00:00 +0000 https://iridiumjazz.com/shows-on-sale-and-just-announced-at-jazz-cafe-news-reviews-articles-commentary-from-the-london-jazz-scene-and-beyond/ Sébastien writes: A slew of shows at Camden’s Jazz Cafe in the months to June 2022 are on sale now, starting with Lady Blackbird and Billy Cobham next week and through to Roy Ayers Jaimie Branch, Antonio Sanchez, Roberto Fonseca and Nate Smith’s Kinfolk next year. A substantial number of them have just been released […]]]>

Sébastien writes: A slew of shows at Camden’s Jazz Cafe in the months to June 2022 are on sale now, starting with Lady Blackbird and Billy Cobham next week and through to Roy Ayers Jaimie Branch, Antonio Sanchez, Roberto Fonseca and Nate Smith’s Kinfolk next year. A substantial number of them have just been released this week (September 23)

Lady Blackbird – September 29. Advertising photo

JAZZ CAFE DATES (some jazz related dates in bold)

Lady Merle – Wednesday September 29

(Our reviewer John Bungey (LINK) and a good friend of LJN Dan Ouellette (CONNECT) became enthusiastic! )

Billy Cobham – Thursday September 30 + Friday October 01

Ojerime – Wednesday 06 October

Acid Arab Live – Friday 08 October

Poté – Thursday, October 14

The Alchemist – Friday, October 15

Jarrod Lawson – Sunday 24 + Monday 25 October

Trio of Vels – Wednesday October 27

DRS Live – Saturday October 30

Smif-N-Wessun – Thursday 04 November

Nihiloxica – Tuesday 09 November

Islandman – Wednesday, November 10

Joe armon jones (DJ) – Friday, November 12

Greentea Selecta – Friday November 12

Leroy Burgess – Friday 12 + Saturday 13 November

Hailu Mergia – Monday, November 15

Ensemble Ismaël – Wednesday November 17th

Judi jackson – Thursday November 18

Jaimie branch – Friday November 19

MINA & Bryte – Friday, November 19

Hagan & KG – Friday, November 19

Derya Yıldırım & Grup Şimşek – Saturday 20 November

Priya Ragu – Tuesday, November 23

Tenderlonious presents 22a – Friday 03 December

Nu Genea – Friday 03 December

El Bobe – Monday 06 December

Rythm Section presents Cousin Kula – Thursday 09 December

Habibi Funk – Friday December 10

My analogue journal – Friday, December 10

Victim Session (n) – Friday 07/14/21/28 January

Tertia May – Thursday January 27

Jay Electronica – Saturday 29 + Monday 31 January + Tuesday 01 February

Fantastic Negrito – Wednesday 02 + Thursday 03 February

Andrew Ashong – Friday February 11

47 Soul – Friday February 18 + Saturday February 19

Roy Ayers – Sunday February 20 & 27

Jam Baxter – Friday February 25

Fernando Rosa – Tuesday 01 + Wednesday 02 March

Yīn Yīn – Friday March 04

Osunlade – Friday March 11

Amon Düül II – Thursday March 16

Antonio Sanchez – Friday 18th March

Henrik Schwarz & Alma Quartet – Monday 21 + Tuesday 22 March

Ahmed Fakroun – Sunday March 27

Theophilus London – Monday March 28

Roberto Fonseca trio – Sunday April 24

Dengue Dengue Dengue – Friday 06 May

Les Abyssins – Sunday May 22
Nate Smith Parent – Wednesday May 25

Ghost Note – Saturday June 04

The Jazz Cafe – Publicity photo by Yussef Kamaal © Jake Davis provided by the Jazz Cafe

LINK: FULL LISTS OF JAZZ CAFE


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Review: The live album Hypnotic mixes psychedelia and jazz https://iridiumjazz.com/review-the-live-album-hypnotic-mixes-psychedelia-and-jazz/ https://iridiumjazz.com/review-the-live-album-hypnotic-mixes-psychedelia-and-jazz/#respond Tue, 21 Sep 2021 22:04:36 +0000 https://iridiumjazz.com/review-the-live-album-hypnotic-mixes-psychedelia-and-jazz/ You warm me up, you cool me down XL recordings King Krule’s Fifth Studio Album “You Heat Me Up, You Cool Me Down” Is A Hypnotic, live album pieced together from shows the artist did before the pandemic. “You Heat Me Up, You Cool Me Down” expels a fierce, visceral emotion that is clearly on […]]]>

You warm me up, you cool me down

XL recordings

King Krule’s Fifth Studio Album “You Heat Me Up, You Cool Me Down” Is A Hypnotic, live album pieced together from shows the artist did before the pandemic. “You Heat Me Up, You Cool Me Down” expels a fierce, visceral emotion that is clearly on display for the listener to feel and experience with them. The album combines his punkrock foundation with stimulant, psychedelic accents and occasional jazz elements.

The London artist opens the album with “Out Getting Ribs”, which introduces one of the album’s most significant themes: grief. Here, the beautifully crafted poetry of King Krule is unveiled with lyrics like, “Well I had no chance to escape / I can’t escape my own escape.TThe listener is exposed to some of the artist’s innermost thoughts.

Much of the album consists of distorted guitars that are manipulated to embody loneliness, discouragement, rage, and a myriad of complex thoughts that King Krule describes through his enigmatic lyricism. The album deviates from its brutal, captivating, punkrock style when a saxophone is introduced in the song “Rock Bottom”.

The resonance in the arpeggiated guitar chords of “The Ooz” is reminiscent of a macabre and much darker Peach Pit. King Krule shouts into the microphone over a soft saxophone riff. The saxophone evokes feelings of melancholy and romance, adding an intoxicating and brilliant level to the album which juxtaposes the dark color of its lyrics. Part of what makes “You Heat Me Up, You Cool Me Down” so dazzling are the moments when King Krule introduces unexpected new sounds., but end up completing the sound texture of the album.

Another dominant theme of the album is cynical existentialism. King Krule talks about his experience as a junior employee in the song “Easy Easy” while singing, “And while your dead end job / Has eaten away at your life / You feel little inside / The troubles and the conflicts.” “Easy Easy” and “Rock Bottom” both touch on powerful representations of the inherently complex human experience.

“Perfecto Miserable” is a powerful declaration of love. The artist sings: “You are my everything / You make me feel good / You are the only thing / It makes me feel good.” The track slowly climbs as a heavily distorted saxophone whines, and echoes and cymbals delicately crescendo and decrescendo. The verse ends with a buzzing whistle over several D eleventh chords that contain dissonance and tension between pitches. These disturbing sounds accompany the tragic lyrics and lamentable voices of King Krule.

While this album is extremely well done with a lot of intention and fervor, it is not revolutionary. King Krule’s words are exceptionally personal and interesting, but everything he sings has already been expressed musically: grief, despair, dark introspection. TThese feelings are not new, especially in the world of music and poetry.

This album contains so many layers and subtleties; just when the listener thinks he has an idea of ​​where the album is going, King Krule introduces something new. While the album’s production value is great, the lyricism is wonderful. King Krule is a wonderful poet and “You Heat Me Up, You Cool Me Down” is a great addition to his discography.


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British 1970s jazz band Splinters captures the restless musical spirit of the era https://iridiumjazz.com/british-1970s-jazz-band-splinters-captures-the-restless-musical-spirit-of-the-era/ https://iridiumjazz.com/british-1970s-jazz-band-splinters-captures-the-restless-musical-spirit-of-the-era/#respond Mon, 20 Sep 2021 13:41:04 +0000 https://iridiumjazz.com/british-1970s-jazz-band-splinters-captures-the-restless-musical-spirit-of-the-era/ CHARACTERISTICS British 1970s jazz band Splinters captures the restless musical spirit of the era By Philip Freeman September 20, 2021 Over the past five years or so, London has slowly established itself as one of the jazz capitals of the world. Artists like Shabaka Hutchings, Nubya Garcia, Emma-Jean Thackray and their peers have released a […]]]>

CHARACTERISTICS
British 1970s jazz band Splinters captures the restless musical spirit of the era

By Philip Freeman September 20, 2021

Over the past five years or so, London has slowly established itself as one of the jazz capitals of the world. Artists like Shabaka Hutchings, Nubya Garcia, Emma-Jean Thackray and their peers have released a seemingly endless stream of exciting and groundbreaking music that demonstrates the brilliance of composition; a high degree of technical competence and sound innovation; and crowd-pleasing energy. At the same time, numerous archive releases have reminded listeners that this is not the first time the UK has been at the forefront of jazz innovation. The late 1960s and early 1970s were a fertile era for British jazz, with mainstream and avant-garde musicians collaborating with each other, and sometimes even inviting progressive-minded rock musicians to celebration.

Richard Williams, editor-in-chief of the British music journal Melody maker at the time and the first longtime BBC TV host The old gray whistle test (1971-2018), remembers the scene as quite vibrant. “It was a busy time, and it had been encouraged by the engagement of young jazz musicians with the progressive rock scene – people like the Soft machine and King Crimson used jazz musicians on their albums, and sometimes as band members. And the jazz musicians were young guys who listened to Coltrane and Ornette Coleman and Mingus, and they influenced a generation of the most curious rock musicians.



At the time, legendary bassist Dave Holland was just beginning his career, and he fondly returns to the porous musical boundaries of the time. “I lived in London between 1964 and 1968, and I had the chance to play [in] all kinds of different settings, ”he recalls. “I was a young musician just trying to gain as much experience as possible… Looking for people to share your musical ideas with, and if you share a common background and background in music, then you have the opportunity to have that meeting point in music that lets you play together. Some musicians like to move between different approaches, and I was one of them.

Since May of last year, the non-profit organization Jazz in Britain has made it its mission to preserve and present rare and unpublished recordings of this first explosion of British jazz. Their catalog includes music by musicians known as the guitarist Ray Russell, alto saxophonist Joe harriott (whose exploration of free play is often compared to the contemporary work of Ornette Coleman), tenor saxophonist Tubby hayes, and the Don Rendell-Ian Carr quintet. (Their first release, Russell’s Spontaneous event – Live Vol. 1: 1967-69, features some of Holland’s earliest recorded performances from May and November 1967.)

But their most ambitious release to date is Inclusiveness, a three-CD set documenting the ephemeral and somewhat legendary band The Splinters, whose members included the trumpeter Kenny wheeler, Tubby hayes, alto saxophonist Trevor Watts, pianist Stan Tracey, bassist Jeff Clyne, and two drummers, Phil Seamen, and John stevens. Together they represented a cross section of the British jazz scene at the time: Hayes was a solid hard bop player with open ears, while Watts and Wheeler were closer to the free jazz side. Tracey was a mainstream player influenced by Ellington and Monk who had embraced the avant-garde at the end of his career. Seamen was one of the country’s foremost drummers, playing with virtually everyone and even teaching rock legend Ginger Baker, while Stevens was an experimental player who founded the Spontaneous music ensemble with Wheeler, Watts and Clyne.



Inclusiveness contains recordings of two Splinters concerts from May and September 1972. In the liner notes Watts says: “John [Stevens] I had the idea, it was really very simple, to bring together players from the old generation and some from the new generation and do a jam together. These were not contemporary or more traditional techniques. I think all of us musicians respected each other’s different interests, but it all came from a love of jazz.

The performances were recorded on cassette by Watts and expertly restored before release. The music has a real liveliness and a striking power. Both drummers play freely, but still maintain a lively rhythm, with Stevens in the right channel and Seamen in the left, and Clyne throbbing between them. The horns howl and moan, exchanging long solos and uniting here and there in jagged but just harmony. Pianist Tracey spans long stretches (and disappears in the middle of May’s performance), but her solos are smooth and thoughtful. Horns pile up around it, creating fanfares that inspire further exploration.



The music never really stops, although track divisions have been added for listener convenience. What is most fascinating is that it is impossible to call it an imitation of one of the well-known free jazz models. It doesn’t have the frantic heads and lyrical solos of Ornette Coleman, or the tidal wave feel of Cecil Taylor, or the spiritual quest of John Coltrane or Albert Ayler. It’s music with a unique British quality, friends having a conversation in the pub, exchanging ideas, sometimes vehemently agreeing and never really disagreeing on anything. And when Stevens and Seamen start a drum duo towards the end of the second record, it’s as exciting a moment as any in jazz.

Williams was in attendance at the May performance, which was taped in London 100 clubs– “a basement club with a long stage, I guess it could probably hold a maximum of about 300 people, maybe … A very nice kind of place.” He remembers being impressed by the way the musicians managed to bridge the gaps between their different approaches. “Splinters was a really interesting meeting and a mix of musicians from different generations and from different backgrounds. On paper it looked like something you would try in a test tube and probably explode in your face. But it worked wonderfully.


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The London Jazz Festival is getting back on its feet https://iridiumjazz.com/the-london-jazz-festival-is-getting-back-on-its-feet/ https://iridiumjazz.com/the-london-jazz-festival-is-getting-back-on-its-feet/#respond Sat, 18 Sep 2021 22:29:41 +0000 https://iridiumjazz.com/the-london-jazz-festival-is-getting-back-on-its-feet/ Seckou Keita and Omar Sosa. Photo by Andrés Pino After an inevitably calmer year 2020, the EFG London Jazz Festival has largely recovered this year, from November 12 to 21 with many live shows. Among the many highlights are Julian Lage; Richard Bona & Alfredo Rodriguez Band; Archie Shepp and Jason Moran; duo John Scofield […]]]>

Seckou Keita and Omar Sosa. Photo by Andrés Pino

After an inevitably calmer year 2020, the EFG London Jazz Festival has largely recovered this year, from November 12 to 21 with many live shows.

Among the many highlights are Julian Lage; Richard Bona & Alfredo Rodriguez Band; Archie Shepp and Jason Moran; duo John Scofield and Dave Holland; Eddie Henderson Quartet; Norma Winstone and Nikki Iles “A Moment to Remember – The Music of Bill Evans”; Peter King Memorial Sax Summit with Mornington Lockett with Alex Clarke, the Deschanel Gordon Trio; Mike Westbrook “The Piano and Me” plus Q&A with Richard Williams; Vijay Iyer, Linda May Han Oh, Tyshawn Sorey; Cleveland Watkiss and Django Bates; Catherine Windfeld; Third London installment: London Sinfonietta + Laura Jurd, Elliot Galvin, Cassie Kinoshi; Jo Harrop; Rosie Frater-Taylor; Jim Rattigan’s triplicity; Omar Sosa & Seckou Keita; Soweto Kinch & London Symphony Orchestra: The Black Peril; Georgia Mancio; Myra Melford, Mark Dresser, Matt Wilson; Stefano Bollani; Bill Laurance and The Untold Orchestra; John Etheridge and Vimala Rowe; Bansangu Orchestra; and the Brad Mehldau trio.

The above is a drop in the ocean of concerts listed on the festival site. There will also, as always, be a vast array of additional local talent drawn to the event from the city’s regular (and irregular) jazz venues.

Omar Sosa (piano) and Seckou Keita (kora) concert is one of a series of UK appearances by the duo (plus Venezuelan percussionist Gustavo Ovalles) in November. They also play at Leeds, Oxford, Caernarfon, Manchester, Liverpool, Bury St Edmunds, Nottingham, Bristol, Cardigan and Swansea. All the details of the visit are on the site of the Mwldan artistic complex to Cardigan, who is organizing the tour.


Previous articleGanelin, Kruglov, Yudanov: access point


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66 pop and jazz albums, shows and festivals coming this fall https://iridiumjazz.com/66-pop-and-jazz-albums-shows-and-festivals-coming-this-fall/ https://iridiumjazz.com/66-pop-and-jazz-albums-shows-and-festivals-coming-this-fall/#respond Fri, 17 Sep 2021 19:53:18 +0000 https://iridiumjazz.com/66-pop-and-jazz-albums-shows-and-festivals-coming-this-fall/ ENDEA OWENS & THE KITCHEN Let’s be honest: many of us started the pandemic by promising to fill lonely lockdowns with new and meaningful plans. For Endea Owens, a young booming bass player, that wish came true. A member of the “Late Show” group led by Jon Batiste, she began hosting free “cookout” concerts in […]]]>

ENDEA OWENS & THE KITCHEN Let’s be honest: many of us started the pandemic by promising to fill lonely lockdowns with new and meaningful plans. For Endea Owens, a young booming bass player, that wish came true. A member of the “Late Show” group led by Jon Batiste, she began hosting free “cookout” concerts in her Harlem neighborhood, providing live music and free meals to a large part of the often underserved community, all of which were part of the community. playing a mix of standard jazz and backyard R&B jams. This fall, shortly after the Jazz at Lincoln Center reopens for live concerts, Owens will bring his band, now called the Cookout, to Dizzy’s Club for a two-night run. (Sep 25-26; Dizzy’s Club)Russonello

THE DIAMOND SERIES AT FEINSTEIN’S / 54 BELOW Soprano Heaven arrives this fall, as the venue hosts bubbly leading ladies for concert performances. Kelli O’Hara (September 28-October 3) followed by Laura Benanti (October 5-10) will kick off the series and Megan Hilty will follow from November 2-7. Also on view at the Midtown club: the wonder of song and dance Tony Yazbeck (September 21-22); Broadway veteran silver voice Christine Andreas (September 24-25); flame-haired dynamo Marilu Henner (October 17); the great lady Marilyn Maye (October 25-30, November 1), the show biz diva Ruby Manger, alter ego of the comedian and actress Julia Mattison (October 13); and “Seussical Reunion Concert,” featuring members of the original cast of the 2000 Broadway musical (November 22). – Gardner

DUCHESS The women of this vocal trio – Amy Cervini, Hilary Gardner and Melissa Stylianou – are not blood sisters, but their fraternal and hermetic harmonies have won them popularity in jazz circles. The group will appear on September 30 at the recently reopened Birdland Theater, where fall lineup includes Natalie Douglas, a beloved regular (October 1-2, November 15), Klea Blackhurst in a tribute to Jerry Herman (October 20-22 ); Marissa Mulder, greeting John Prine (October 3); and singer-songwriter Christine Lavin (November 22); in addition to the weekly installments of “The Lineup With Susie Mosher” on Tuesdays and, upstairs at the Birdland Jazz Club, “Jim Caruso’s Cast Party” on Monday. The Jazz Club will also host a concert on September 20 featuring members of the cast of the Broadway production of “Company” to benefit mental health nonprofit Darkness Rising. – Gardner

MICHAEL GARIN AND MARDIE MILLIT AT WEST BANK CAFE The husband and wife duo, who also perform in the Habibi Kings, continue to perform at the West Bank Cafe (and on Facebook), where the first two Sunday evenings of each month you can see Michael Garin – pianist, singer, storyteller. , mash-up maestro – leap between genres with Mardie Millit as comedy partner and lending a brilliant soprano. The Jazz Bandits perform every Friday, while Saturdays bring the piano and vocal styles of Eric Yves Garcia, followed by the Gabrielle Stravelli Trio, led by jazz singer and songwriter. – Gardner

KELLY CLARKSON The original “American Idol” diva released her latest album, the touching and stomping “Meaning of Life”, in 2017, and has since returned to television, giving advice to contestants on “The Voice.” and hosts a daytime talk show. But Clarkson has returned to the studio to capture some holiday magic and will be releasing a Christmas album – his second – in October. The first single, “Christmas Isn’t Canceled (Just You)”, will be released on September 23. (Atlantic)Horn

JOEY PURP Like fellow Chicagoan and occasional contributor Chance the Rapper, Joey Purp proudly wears his freelance artist credentials. He continues his self-released streak with his third mixtape, “UpLate”, leaning on his more hedonistic instincts while rapping about conquests, cars and money with a cool detachment. Without features, it’s a relatively isolated effort of an artist who tends to work collaboratively. He also contributed to the production, favoring bouncy, simple rhythms over the flashier aesthetic of previous projects. (Self-published)Horn


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Maskless SF Mayor London Breed caught at indoor jazz club with maskless fans https://iridiumjazz.com/maskless-sf-mayor-london-breed-caught-at-indoor-jazz-club-with-maskless-fans/ https://iridiumjazz.com/maskless-sf-mayor-london-breed-caught-at-indoor-jazz-club-with-maskless-fans/#respond Fri, 17 Sep 2021 16:21:11 +0000 https://iridiumjazz.com/maskless-sf-mayor-london-breed-caught-at-indoor-jazz-club-with-maskless-fans/ Yet another elected politician who issued mask-wearing and vaccination warrants violated his own policy. “Music fans at San Francisco’s Black Cat nightclub in the Tenderloin, many without a mask – including Mayor London Breed – were treated to a surprise reunion by one of the area’s most popular R&B groups. of the bay on Wednesday, […]]]>

Yet another elected politician who issued mask-wearing and vaccination warrants violated his own policy. “Music fans at San Francisco’s Black Cat nightclub in the Tenderloin, many without a mask – including Mayor London Breed – were treated to a surprise reunion by one of the area’s most popular R&B groups. of the bay on Wednesday, September 15, “the San Francisco chronicle reported.

Yet another politician fails in his own political theater. Mayor Breed mandated “The wearing of properly fitting masks for all, including fully vaccinated persons, full proof of vaccination in restaurants, bars, clubs, theaters and entertainment venues, gymnasiums, recreational facilities, yoga studios, dance studios and large indoor events and mega indoor events.

Who can forget Living room door in September 2020 when House Speaker Nancy Pelosi was caught on security cameras visiting a San Francisco hairdresser for a wash and blow, despite Governor Gavin Newsom’s statewide business foreclosure orders and strict local orders specifically targeting closures of hair and nail salons, as well as other businesses. nonessential ”during the coronavirus pandemic.

California Governor Gavin Newsom still hasn’t lived to be surprised without a mask attending a birthday dinner in November 2020 at famed Michelin-starred restaurant, The French Laundry in Yountville, while he was locking up the state, was ordering the closure of businesses and schools, social distancing and mask warrants, the California Globe reported.

Proving just how arbitrary his closures were, the governor allowed strip clubs and public baths to remain open.

Most recently, former President Barack Obama organized for his 60th birthday at his estate in Martha’s Vineyard, entertaining 300 to 400 guests, despite haranguing Americans to mask themselves, get vaccinated and stay away. away from major events. The daily mail reported 74 people on Martha’s Vineyard have tested positive for COVID-19 following the former president’s party, which some have dubbed “the Obama variant.”

A viral video was shared thousands of times in late August by House Speaker Nancy Pelosi during a major Democratic fundraiser in Napa Valley. Only the waiters and waiters wore masks. “The footage appeared to show dozens of unmasked people sitting shoulder to shoulder at long lunch tables as Pelosi (D-Calif.) Gave a speech and masked waiters strolled between listeners,” the New York Post reported. The guests drank and dined as Pelosi spoke. They were seated without masks at long tables close to each other while masked waiters served them.

Stay at home. Close your business. Avoid family and friends. Keep your children at home. No socialization. Wear a mask at all times. Those were California politicians’ orders to residents of the state last year. And keep your “non-essential” business closed.

London Breed also had dinner at the French Laundry, but it was the night after Newsom’s infamous misguided evening amid the pandemic at the three Michelin star restaurant in Yountville, the San Francisco Chronicle reported.

Last year, Contra Costa County District Attorney Diana Becton broke state and county COVID-19 regulations when she arranged a wedding at her home. Dozens of people from different households broke local and state laws on gatherings, especially as Contra Costa County was specifically monitored for higher COVID-19 rates in early August 2020.

San José Mayor Sam Liccardo broke similar restrictions in November 2020 at a Thanksgiving meal when he spent Thanksgiving with 7 parents from 5 households at an outdoor gathering in Saratoga, despite warrants of the California Department of Public Health. prohibiting all gatherings with more than three households. “This is a private event – not a public event,” said Jim Reed, Liccardo’s chief of staff. “We are going to redraw the border between what is personal and what is public because this border has become blurred. “

Even the strict total ban on indoor and outdoor restaurants that stretched from November 2020 to January 2021 drew notable violators like Los Angeles County Supervisor Sheila Kuehl. The former senator had no problem scaring earlier today: “This is a serious health emergency and we need to take it seriously,” Kuehl said. “The servers are not protected from us, and they are not protected from their other tables that they are serving at this particular time, as well as any hours that they are working.” Keuhl was having dinner at a restaurant in Santa Monica.

We learned Last year, gyms inside government buildings in San Francisco were kept open for months at the start of the lockdown, despite private gyms and fitness centers being closed due to Governor Newsom’s business lockdown against the coronavirus.

Central Coast congressional candidate Andy Caldwell reported to the Globe during the same period in 2020 that the Santa Barbara Unified School District allowed the children of teachers and district employees to resume learning in class, under a covert exemption from exclusion at Franklin, McKinley and other elementary schools in the district.

None of the politicians who tell you to worry about the coronavirus actually care about the coronavirus; their actions tell us that. It is evident that politicians are not that concerned about COVID, but want to come back to life before closures, masks and social distancing. But not for the people.

Anthony Fauci, director of the National Institute of Allergy and Infectious Diseases, after demanding that people wear two masks, recently admitted in an interview with George Stephanopoulos of ABC “even being a fully vaccinated person, the chances that I get infected in an indoor environment are extremely weak, and this is the reason why in indoor environments I now feel comfortable not wearing a mask because I am fully vaccinated. “

“You’ve been vaccinated and you’re parading with two masks for the show. You can’t get it again ”, Senator Rand Paul (R-KY) said during a hearing to Fauci, calling the masking and double masking of Fauci “theater”.

“There’s almost a 0% chance you will get it, and you tell people who have had the vaccine who are immune – you are defying everything we know about immunity by telling people to wear masks that have been vaccinated, ”Paul said.

As for Mayor Breed, she “pointed out, however, that she often tests for COVID-19 and said ‘ultimately everyone who comes here must show proof of vaccination. That reassures me a lot ”, the Chronicle reported.

“I have been very careful, not only because I want to lead by example, but because I don’t want to have COVID. I also want to make sure that I am not someone who transmits COVID to other people, ”she said. “This whole pandemic has focused on the safety of people. “

Never mind that its own orders demand “properly fitting masks for all individuals, including fully vaccinated people.”


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Ashley Henry and Soothsayers have booked for new Woolwich Works jazz nights https://iridiumjazz.com/ashley-henry-and-soothsayers-have-booked-for-new-woolwich-works-jazz-nights/ https://iridiumjazz.com/ashley-henry-and-soothsayers-have-booked-for-new-woolwich-works-jazz-nights/#respond Fri, 17 Sep 2021 11:27:01 +0000 https://iridiumjazz.com/ashley-henry-and-soothsayers-have-booked-for-new-woolwich-works-jazz-nights/ Woolwich Works is slated to open on September 23 and could well become a major cultural hub in London with a huge range of music, theater, dance and visual arts events taking place in its five performance spaces. Formerly known as Woolwich Creative District, Woolwich Works is the result of a £ 31million redevelopment that […]]]>

Woolwich Works is slated to open on September 23 and could well become a major cultural hub in London with a huge range of music, theater, dance and visual arts events taking place in its five performance spaces.

Formerly known as Woolwich Creative District, Woolwich Works is the result of a £ 31million redevelopment that converted five heritage industrial buildings into a modern cultural destination. There is a strong jazz presence in the initial program with the 20 musicians New Regency Orchestra, which present Tamar osborn on saxophone and Elfris Valdes on the trumpet and are conducted by Lex blondin from Total Refreshment, kick things off on Friday, September 24, while soulful singer-songwriter from South East London Andrew Ashong occurs on September 25.

Renowned pianist Ashley henri will lead a quarterly jam session that will begin September 30 and feature special guests such as the trumpeter Emma-Jean Thackray. Other jazz nights include Tommy Blaize, Reginald D Hunter and NYJO to play Gil Scott-Heron (October 6), the world groove team Soothsayers (October 9), the heavy afrobeat drums and horn sounds of the nine musicians Balimaya Project (October 16) and the London-born saxophonist born in Lagos Bukky lion and his gang Black egypt (October 23).

New talents are also being honored with the Jazz W. Led Series with pianist Sarah tandy with singer / guitarist Raquel martins (November 16) and trumpeter Mrs Maurice with COLLECTIVA and Rosie Frater-Taylor (November 17). In addition, there are two sessions under the banner ‘JazznewbloodALIVE2021’ with emerging talents Allexa nava, Kielan Sheard, Scottie Thompson and Morgan wallace (Part 1) and Miles mindlin, Sultan Stevenson, Maddy Coombs and XVNGO (Part 2) all lined up on November 20.

For more details on the program, visit www.woolwich.works/whats-on/category/jazz


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Grand Morristown weekend preview: openings, festivals and all that jazz https://iridiumjazz.com/grand-morristown-weekend-preview-openings-festivals-and-all-that-jazz/ https://iridiumjazz.com/grand-morristown-weekend-preview-openings-festivals-and-all-that-jazz/#respond Thu, 16 Sep 2021 10:00:04 +0000 https://iridiumjazz.com/grand-morristown-weekend-preview-openings-festivals-and-all-that-jazz/ Music is making a comeback in Greater Morristown this weekend: a season opener that’s sure to dazzle at MPAC and at least three festivals, including the 10th Annual Morristown Jazz and Blues Festival. Scroll down for more details. Check out our practical schedule for even more activities and add your own events, too much. THURSDAY […]]]>

Music is making a comeback in Greater Morristown this weekend: a season opener that’s sure to dazzle at MPAC and at least three festivals, including the 10th Annual Morristown Jazz and Blues Festival.

Scroll down for more details. Check out our practical schedule for even more activities and add your own events, too much.


THURSDAY SEPT. 16, 2021:

Favorite Jazz Grover Kemble performs at Rockaway’s Cafe Navona, 147, route 46, from 6 p.m. to 9 p.m.


FRIDAY, SEPT. 17:

Chris Martin

At 5.30 p.m. on Morristown and Morris Township Library introduces former Morristown City Councilor Chris Martin, discuss his new memories, Is that you, grandfather? To free. The book traces Martin’s journey from London, Hamburg, New York, New Jersey and the Rupununi, in search of his ancestors. At One Miller Road, Morristown.

The folk project weekly Troubadour concert series presents Jesse Rubin, with Bill Buttner at 7:30 p.m. at the Morristown Unitarian Fellowship in Morris Township. Admission: $ 10 at the door, $ 10.50 online; live broadcast, $ 2.99. Proof of vaccination required for the live performance; no children under 12 (until they are eligible for vaccination). At 21, route des Hauteurs de Normandie

broadway star Linda eder do it Mayo Performing Arts Center official of the season, at 8 p.m. with Judy Garland: My and my shadow. Tickets: $ 49- $ 79. Masks, proof of vaccination or recent negative COVID-19 test required for ages 12 and over. At 100 South Street, Morristown. Call 973-539-8008. Read the preview here.

Linda eder

SATURDAY, SEPT. 18:

Morris Plains Farmers Market is back, every Saturday from 9 am to 1 pm until October 9, 2021. Welcoming of eight vendors and special guests. At 771 Speedwell Avenue.

Local historian Carol barkin leads a 10:30 am walking tour of Morristown architecture for the Morris County Tourism Bureau. Tickets: $ 20. Meet in front of the Tourist Office at 6, rue Court. Call 973-631-5151 during business hours, or email here for availability.

Mass program Press release 30-8-2021 The ancient order of the Hibernians will remember nine members from New Jersey who perished on September 11, including Liam Callahan, a port authority officer, at noon in the historic St. Patrick’s Pro-Cathedral at 91 Washington St., Newark, NJ. Following
Mass, a short procession will walk to Kilkenny Ale House for lunch. All present at AOH
members are requested to bring their banners for the procession into the church and to the
breakfast.

Celebrate the 10th edition Morristown Jazz and Blues Festival, noon to 10 p.m. on historic Morristown Green. Free, bring sun loungers or beach blankets. The range:

Noon: Swingadelic.
2 p.m .: The Frank Vignola trio, in tribute to the late Bucky Pizzarelli.
4 p.m .: Winard Harper and Jeli Posse
6 p.m .: Louis Prima Jr. and the witnesses
8 p.m .: Juke Joint by Rob Paparozzi

Three figures at the heart of the festival’s success will be commemorated: Co-promoter Linda kiger smith and former executive director of Morristown Partnership Michel Fabrice, who both died during the summer; and great jazz guitar Bucky Pizzarelli, shot down by COVID-19 at the start of the pandemic. Pizzarelli, who was 94 when he died, has performed at almost every Morristown Jazz & Blues Festival since 2013. Read more here.

Rob Paparozzi performs at the Morristown Jazz & Blues Festival 2019. Photo by Kevin Coughlin

The fourth edition New Jersey Breast Festival will feature some of Greater Morristown’s best bands at an outdoor fundraiser for cancer screening and treatment. 2 p.m. to 10 p.m. at Bernie’s in the Field, Chester. Admission: $ 30 in advance, $ 40 at the door. Featuring the Bobby Syvarth Band, Soular Bone, The Thingama Jigs and Spare tire strip. At 125 Hillside Road. Read our overview. Rainy date: Sunday, 2 p.m. to 8 p.m.

Grow it green Morrisown present Alfresco on the farm, 4 p.m. to 7 p.m. at the Morristown Urban Farm. To free. Live music, food, games. At 31 Hazel St. Rain date: Sunday same time. Read more here.

Morristown Mayo Performing Arts Center presents actors Jeff Ross and Dave Attell, Shock microphones, at 8 p.m. Tickets: $ 39- $ 69. Masks, proof of vaccination or recent negative COVID-19 test required for ages 12 and over. At 100 South St. Call 973-539-8008.


SUNDAY, SEPT. 19:

Morristown Farmers Market is open every Sunday through November 21, 2021, 8:30 a.m. to 1 p.m., in parking lot 10J, behind the Morristown Post Office in Spring and Morris Streets. The Morristown Partnership welcomes 17 new suppliers this year. People at high risk of COVID-19, as defined by the CDC, can be admitted early, at 8 a.m.

The New Jersey Highland Coalition hosts a Self-guided tour of 120 km by car of the Highlands’ historic bridges. Meet at 10:00 am at Valley Shepherd Creamery in Long Valley for registration. Tickets: $ 25 per car, with a suggested donation of $ 10 per person. Profits support the preservation of the Highlands. Expect the ride to take four hours and end at the Four Sisters winery in Belvidere.

For original music, join The folkloric project for Joe Guzzo’s Sunday Stayaway Show 15 hours. Each week, Guzzo introduces fans to video performances from past events, performer interviews and his own take on the world of music.

At 7 p.m. the New Jersey String Quartet Plays Schubert in the parking lot of Morris Museum in Morris Township, during a postponed concert. Admission: $ 50 for a block of 8 by 8 feet, accommodating up to two clients. At 6, chemin Normandy Heights, 973-971-3706. Rain date: September 22.

The New Jersey String Quartet


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Toronto jazz musician Jim Clayton turned a personal Facebook account of 250 into an international audience of over 30,000 during the pandemic https://iridiumjazz.com/toronto-jazz-musician-jim-clayton-turned-a-personal-facebook-account-of-250-into-an-international-audience-of-over-30000-during-the-pandemic/ https://iridiumjazz.com/toronto-jazz-musician-jim-clayton-turned-a-personal-facebook-account-of-250-into-an-international-audience-of-over-30000-during-the-pandemic/#respond Tue, 14 Sep 2021 19:33:58 +0000 https://iridiumjazz.com/toronto-jazz-musician-jim-clayton-turned-a-personal-facebook-account-of-250-into-an-international-audience-of-over-30000-during-the-pandemic/ After rocking the world with his own brand of jazz for the past 18 months, Jim Clayton has been looking forward to his first live concert in a long time. But it’s what the award-winning veteran jazz artist has done throughout COVID-19 that has earned him the applause of a grateful international audience. Not long […]]]>

After rocking the world with his own brand of jazz for the past 18 months, Jim Clayton has been looking forward to his first live concert in a long time.

But it’s what the award-winning veteran jazz artist has done throughout COVID-19 that has earned him the applause of a grateful international audience.

Not long after the pandemic effectively shut the world off in March 2020, Clayton’s area home in Danforth – more specifically his dining room – has become Jim’s Piano Bar, with Clayton recording over 425 performances, transforming a Facebook following 250 in an international audience of more than 30,000.

Clayton admitted he was getting “agitated” when he and his daughter Lenny, 11, decided to entertain their friends via Facebook, answer questions and respond to requests. The family’s cat, Fry, has also made an occasional guest appearance.

“We did it (live show) twice and had fun with it. The third night we were watching a movie and I got a message on Facebook saying, “Oh, you’re not here tonight? I thought it was fun, why not give people what they want? Clayton called back.

“After a month, I was going to take a night off. That day I got a message from a nurse in Argentina saying the music had helped her get through her night shift during COVID. I thought, ‘Oh my god, if she can do that, I can play for an hour.’ That’s why I continued, ”he added.

Clayton’s wife, who works in digital marketing, helped him run ads first in North America and then South America. And after moving from his personal Facebook page to Jim Clayton Jazz’s Facebook page, his audience skyrocketed.

“All of a sudden, it was 15,000 or 20,000 subscribers. In the spring, he broke 30,000 people following the page. It doesn’t mean that if you log in there are 30,000 people watching. People come in and they come and go, ”Clayton noted.

Clayton has learned to greet his audience in both Spanish and Portuguese, thanks to one fan in particular: a hotel owner in Ilhéus, Brazil, who wants him to fly out for a few shows next year. He also set up a virtual “tip pot” to support a variety of worthy causes, including the Glad Day Bookstore Emergency Survival Fund, the Canadian Civil Liberties Association, the American Civil Liberties Union and the New Orleans Musicians’ Clinic.

He also reconnected with old friends, including a high school classmate and another musician who lives in Dubai – “he watches before he goes to work in the morning. Tomorrow is already where he is ”- as well as a wide range of new fans and friends.

Fans in turn let Clayton know how appreciated he was via testimonials online.

“We are very social people, but suddenly COVID has become a very quiet time for us. When we found out that Jim was doing an online gig every night, we were ecstatic! Jim Clayton Jazz became our party theme, something we looked forward to, and whether we were playing cards, reading or enjoying nature on our patio, Jim filled our lives with soothing and refreshing music. We are very grateful to him for sharing his talent and his music (and even his endless stories) with us! wrote Sue Huson, 65, a retired teacher from London.

“I listened to over a hundred shows every night,” wrote Marcio Roberto Bueno Fernandes, 45, of Santo Andre, Brazil.

“The idea of ​​being part of this community of music lovers, with a great player talking to us, playing our requested songs and even putting us in touch with other great people in the same situation, in the same ‘piano bar’. It was all very exciting and calming at the same time. It was absolutely necessary for me. I would spend the whole day in anticipation of Jim’s piano bar. It helped me a lot to forget about dark places, ”he added.

“I find the music soothing and during the pandemic it was always nice to hear a familiar voice. I loved the music and listening to the stories. Can’t wait to do it live again, but the Piano Bar was definitely a treat, ”wrote Charlene Winger, Project Manager in Toronto.

Clayton, who worked for more than a decade as music director for the Second City national touring company, has made a decent living working in business in recent years, at least until the pandemic struck. His trio also won the Canadian Smooth Jazz Award twice in 2005 and 2006.

He returns to the Jazz Bistro at 251 Victoria Street on September 15 for a two-set performance, a place he last performed on his 50th birthday a few years ago. Clayton will reunite with former jazz colleagues, Peter Telford on bass and Jeff Halischuk on drums, and looks forward to the experience.

“The most important thing for me is to play with other musicians. Playing solo is very different. It’s more work too. At the very least, I prefer to play with a bass player because he keeps the groove going. I practiced with a metronome to make sure I can always keep the beat, ”Clayton said with a laugh.

Clayton plans to continue performing on Facebook five evenings a week for the foreseeable future.

“I was just trying to make my kid laugh most of the time. And this thing just popped up. I am surprised and certainly delighted. It has been incredibly rewarding. They (the fans) all know my daughter, they all know my cat, ”Clayton said.

“There’s no real reason to stop even when things are normalizing. These people are helping me too. As I often end by saying, on behalf of my family, thank you for removing my hair for an hour a night.


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